If the Shoe Fits (or not!)

This post is from William vonReichbauer. A consummate professional, William filled many roles with Open Dream Ensemble this season in addition to the ones he played on stage! He is pictured here playing bass.

GORDY: But I think, what would be really impressive, is if you could be everybody all at once. Now that would be something! ROBBER: Well, I can do that! Of course I can do that! All I’d have to do is wear one person’s shoes on each of my feet! Thanks to the illness that recently made its way through the cast, several of us ended up trying on a few extra pairs of shoes as we assumed various roles left vacant by our fallen comrades. The most fun for me was the opportunity to take on the role of The Robber, with his multitude of shoes, for four performances. While Alexander is certainly an antagonist in Big Shoes, he is ultimately not a bad person, and even comes out of the play a changed and better person. The Robber, on the other hand, is unarguably the bad guy. And it's fun to be the bad guy. And when you consider that he is holding an eleven-year-old boy captive in his magical upside-down house in the woods and plans to steal said boy's soul via the theft of his footwear, he's a pretty creepy and menacing foe. And The Robber's Song is great fun to sing; a surreal, sadistic tango with lots of room for humor, punctuated by Marissa's awesome clarinet playing, and backing vocals courtesy of the voices of all of the souls The Robber has stolen. The opportunity to play both The Robber and The Cobbler back-to-back also brings added meaning to Deepish's line to Gordy, "Look for the maker where the taker was." Of course, having absent cast members creates far more problems than simply leaving parts to be filled, as every one of us has many more jobs than simply performing our roles on stage: props and set pieces need to be set and moved throughout the show; many jobs left undone had to be reassigned in terms of getting the show set up and broken down; many lines, choreography, and even musical parts needed to be rewritten and/or adjusted to accommodate missing performers; and those who remained had that much more gear to haul each time we loaded in or out of a venue. I am proud to say that through it all, the remaining cast truly pulled together and performed admirably under very some difficult circumstances. And though it was great fun to try on a few extra pairs of shoes, it was a welcome relief when the "ODE Plague of 2012" passed and I could return to wearing the shoes... er... boots that truly fit my feet!